Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Sriwhana Spong, This Creature (video still), 2016, HD video: 14.55
Sriwhana Spong, This Creature (video still), 2016, HD video: 14.55
Sriwhana Spong, This Creature (video still), 2016, HD video: 14.55
Sriwhana Spong, This Creature (video still), 2016, HD video: 14.55
Artist unknown, Flemish Stained glass, c. late 15th century, The Virgin is depicted as the “Woman of the Apocalypse”, 27 x 20 cm
Artist unknown, Flemish Stained glass, c. late 15th century, The Virgin is depicted as the “Woman of the Apocalypse”, 27 x 20 cm
Stuart Ringholt, Anger Workshops (2008-ongoing), Poster, 2012, Edition of 12, 166 x 117 cm
Stuart Ringholt, Anger Workshops (2008-ongoing), Poster, 2012, Edition of 12, 166 x 117 cm
Nik Pantazopoulos, to unfurl IV (A6007550) / Various materials / 180 cm height x 80 cm x 3, width 6 cm depth 3 cm / 2017
Nik Pantazopoulos, to unfurl IV (A6007550) / Various materials / 180 cm height x 80 cm x 3, width 6 cm depth 3 cm / 2017
Megan Cope, Installation view
Megan Cope, Installation view
Megan Cope, The Empire Strikes Black I (Some Animals Are More Equal Than Others) (Detail), 2018, Anamorphic text, Glow Mineral on board with timed Strobe light
Megan Cope, The Empire Strikes Black I (Some Animals Are More Equal Than Others) (Detail), 2018, Anamorphic text, Glow Mineral on board with timed Strobe light
Megan Cope, The Empire Strikes Black II (Self Determination), 2018, Oodgeroo (paperbark), Ochre and Beeswax 104 x 48 cm (approx.)
Megan Cope, The Empire Strikes Black II (Self Determination), 2018, Oodgeroo (paperbark), Ochre and Beeswax 104 x 48 cm (approx.)
Sue Williamson, It’s a pleasure to meet you, 2016, Two channel video: 24.4 mins
Sue Williamson, It’s a pleasure to meet you, 2016, Two channel video: 24.4 mins
Sue Williamson, It’s a pleasure to meet you, 2016, Two channel video: 24.4 mins
Sue Williamson, It’s a pleasure to meet you, 2016, Two channel video: 24.4 mins
Sue Williamson, It’s a pleasure to meet you, 2016, Two channel video: 24.4 mins
Sue Williamson, It’s a pleasure to meet you, 2016, Two channel video: 24.4 mins
Helen Grogan, splitting open the surface on which it is inscribed, 2018, 3 channel video and sonic recording (14:50 min synchronized and looped)
Helen Grogan, splitting open the surface on which it is inscribed, 2018, 3 channel video and sonic recording (14:50 min synchronized and looped)
 Helen Grogan, splitting open the surface on which it is inscribed, 2018, 3 channel video and sonic recording (14:50 min synchronized and looped)
Helen Grogan, splitting open the surface on which it is inscribed, 2018, 3 channel video and sonic recording (14:50 min synchronized and looped)
Helen Grogan, splitting open the surface on which it is inscribed (detail), 2018, 3 channel video and sonic recording (14:50 min synchronized and looped)
Helen Grogan, splitting open the surface on which it is inscribed (detail), 2018, 3 channel video and sonic recording (14:50 min synchronized and looped)
Installation view
Installation view
Installation view
Sriwhana Spong, This Creature (video still), 2016, HD video: 14.55
Sriwhana Spong, This Creature (video still), 2016, HD video: 14.55
Artist unknown, Flemish Stained glass, c. late 15th century, The Virgin is depicted as the “Woman of the Apocalypse”, 27 x 20 cm
Stuart Ringholt, Anger Workshops (2008-ongoing), Poster, 2012, Edition of 12, 166 x 117 cm
Nik Pantazopoulos, to unfurl IV (A6007550) / Various materials / 180 cm height x 80 cm x 3, width 6 cm depth 3 cm / 2017
Megan Cope, Installation view
Megan Cope, The Empire Strikes Black I (Some Animals Are More Equal Than Others) (Detail), 2018, Anamorphic text, Glow Mineral on board with timed Strobe light
Megan Cope, The Empire Strikes Black II (Self Determination), 2018, Oodgeroo (paperbark), Ochre and Beeswax 104 x 48 cm (approx.)
Sue Williamson, It’s a pleasure to meet you, 2016, Two channel video: 24.4 mins
Sue Williamson, It’s a pleasure to meet you, 2016, Two channel video: 24.4 mins
Sue Williamson, It’s a pleasure to meet you, 2016, Two channel video: 24.4 mins
Helen Grogan, splitting open the surface on which it is inscribed, 2018, 3 channel video and sonic recording (14:50 min synchronized and looped)
 Helen Grogan, splitting open the surface on which it is inscribed, 2018, 3 channel video and sonic recording (14:50 min synchronized and looped)
Helen Grogan, splitting open the surface on which it is inscribed (detail), 2018, 3 channel video and sonic recording (14:50 min synchronized and looped)
Installation view
Installation view
Installation view
Sriwhana Spong, This Creature (video still), 2016, HD video: 14.55
Sriwhana Spong, This Creature (video still), 2016, HD video: 14.55
Artist unknown, Flemish Stained glass, c. late 15th century, The Virgin is depicted as the “Woman of the Apocalypse”, 27 x 20 cm
Stuart Ringholt, Anger Workshops (2008-ongoing), Poster, 2012, Edition of 12, 166 x 117 cm
Nik Pantazopoulos, to unfurl IV (A6007550) / Various materials / 180 cm height x 80 cm x 3, width 6 cm depth 3 cm / 2017
Megan Cope, Installation view
Megan Cope, The Empire Strikes Black I (Some Animals Are More Equal Than Others) (Detail), 2018, Anamorphic text, Glow Mineral on board with timed Strobe light
Megan Cope, The Empire Strikes Black II (Self Determination), 2018, Oodgeroo (paperbark), Ochre and Beeswax 104 x 48 cm (approx.)
Sue Williamson, It’s a pleasure to meet you, 2016, Two channel video: 24.4 mins
Sue Williamson, It’s a pleasure to meet you, 2016, Two channel video: 24.4 mins
Sue Williamson, It’s a pleasure to meet you, 2016, Two channel video: 24.4 mins
Helen Grogan, splitting open the surface on which it is inscribed, 2018, 3 channel video and sonic recording (14:50 min synchronized and looped)
Helen Grogan, splitting open the surface on which it is inscribed, 2018, 3 channel video and sonic recording (14:50 min synchronized and looped)
Helen Grogan, splitting open the surface on which it is inscribed (detail), 2018, 3 channel video and sonic recording (14:50 min synchronized and looped)
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